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Windows in church architecture : ウィキペディア英語版
Windows in church architecture

Windows have been a defining feature of church architecture since the beginning of Christianity.
==Early Christianity==
From the beginning, Christian churches, in contrast to the ancient temples, were intended to be places for the assembling of the faithful. The temperament of the people of the East and of the South where Christian houses of worship first appeared required the admission of much light by large openings in the walls, that is, by windows. The early Christian basilicas were richly provided with large windows, placed partly in the central nave, that was raised for this purpose, partly in the side aisles and façade. In Western Europe, or rather in the countries under Roman influence, the places where the windows existed on the side aisles can no longer be identified with absolute certainty, owing to the chapels and additions that were later frequently built. In the East, however, where it was customary to select isolated sites for church buildings large windows were the rule. The place of the window was determined by the architectural membering of the basilica, the distance between two columns generally indicating the position of a window. However, there were endless exceptions to this rule in the East; thus at Bakusa in Syria the windows are close together as well as over the columns; at Kalat-Seman each intercolumnar space contained two windows. In general, two or three windows united in a group, as was later the rule in Roman architecture, were even then of frequent occurrence in the early Christian architecture of Asia Minor. The form of the window is nearly everywhere the same: a rectangle that usually has a rounded top, but seldom a straight lintel. When the latter is used it is generally balanced by a semicircular arch of wedge-shaped stones. Ornamentation of the windows was hardly possible in the basilicas of Western Europe, which were generally built of brick, while the Syrian stone churches, and as an exceptional case those of the school of Spoleto, displayed rich contours and ribbon-like ornamentation.
Of that troublous period which extended to the time of Charlemagne and later until the beginning of Romanesque art, few monuments remain that give a clear conception of the window architecture then in vogue. According to Haupt's researches, the windows of the earliest Germanic churches had a round arch above, which was generally a hollowed stone. Towards the bottom these windows, strange to say, were frequently somewhat broader than above. It was not unusual in Spain, England, and France to finish the window-casement with a horseshoe arch, the upper part being formed by two stone shafts set obliquely, that is, like ribs of an arch. An example of this method is found at Deerhurst in England. The windows of this period are frequently very different on the inner and outer sides, the richer ornamentation being found on the inner side, as at Saint-Germain-des-Prés in France where there are engaged columns and ornamented archivolts.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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